How to Write Orchestral Music - Analyzing Hans Zimmer

At Evenant we’ve been long-time fans of Ashton Gleckman’s Behind the Score series on YouTube, where he explores and analyzes various film scores from a wide range of composers including Hans Zimmer, Rupert Gregson-Williams, James Horner and more. In this BTS, we explore Hans Zimmer’s iconic score for Christopher Nolan’s Inception.

In the Behind the Score series we explore and analyze various film scores from a wide range of composers including Hans Zimmer, Rupert Gregson-Williams, James Horner and more. In this BTS event we explore Hans Zimmer’s score for Zack Snyder’s Man Of Steel.

In this new tutorial, I’ll continue on from the first part of my walkthrough and process behind providing adequate music to support the visual narrative of your project; whether it’s an indie film, feature length, or video game.

In the Behind the Score series we explore and analyze various film scores from a wide range of composers including Hans Zimmer, Rupert Gregson-Williams, James Horner and more. In this BTS event we explore Alexandre Desplat’s small and intimate score for Tom Hooper’s the Danish Girl.

Hi everyone! In this video tutorial I will walk you through my process of composing and orchestrating dramatic/emotional cues fit for Film and TV underscoring. By using a more intimate template of ensemble strings and winds, you can create solid mockups to support characters and events within a story; complimented by a short theme and various key changes to create harmonic movement. Let’s dive into it!